Many Greetings Giuliana Musso I met by chance, from an armchair. "Born in
home." A small theater on the main road, one of the many countries of Northeast Italy, near Venice. A show, a monologue, a search on the exact figure of the midwife, a name almost forgotten, replaced by motherhood role "treated" as if they were diseases. More than a year after accidentally rediscover his name in a theater program. Garybaldi Teatro Settimo Torinese. Another reality, perhaps far from the cobbled streets of the citizens, but no less full of goodies. His new show, at least for me, as vivid and heart: the death. "Many Greetings
. Another curious and careful research in the rooms where life should give way to a natural end, all that awaits. You discover obsessions of our time, setting the well-being, quiet life, to the rules, the terror of death, the end. Three clowns. Three red noses. Jackets and costumes that change, intervals between events thrown racing, music and stories of earnest reconstructions. Stories of death. These include sudden changes in mood there is no way to get used to pain, a Mago rises and falls, knocks contiue to the past of every spectator. I'll stop, I'm not a critic.
The show is worth seeing. Smoking a cigarette, steam the cold, Musso Maggiorina and enjoy the compliments of the spectators at home. She confesses that part of the show, the emotional response of the public. This is confirmed by my comment, like that of others. Not have been made compliments, not only that, but said he was
thanks. The paradox of the great things
. Not a character or superaltivo overflowing, literally as rare, precious, curious. When you realize that, here, note the desert steppe that surrounds you. The null of normality.
Empathy donated by a show should be the rule, however, thanks
.
Many Greetings
Study for a show on die
A draft civil theater clown Giuliana Musso
By Beatrice Schirosi, Gianluigi Meggiorin, Giuliana Musso
Director Massimo Somaglino
Directorate clown Maril Van Den Broek
Research and drama Giuliana Musso
